“Wasted Land establishes a link between climate change (waste production) and oppression (colonialism), as these issues are often considered to be as disconnected as they are unsolvable.“

Wasted Land uses theatre, black humour, choral composition and video inspired by queer ecology to highlight the complex relationship between humans and their waste. The musical and sung performance is inspired by T.S. Eliot’s poem The Waste Land (1923) and contemporary sociological and scientific research into the colonialism of waste. It orchestrates a melodic landscape that oscillates between theatrical performance, video projection and poetic concert.